A fast-paced comedic parody Seedance 2 short set in an ancient imperial study. An orange cat dressed as Qin Shi Huang in Han-style golden dragon robes sits behind a large desk. Gray mice in minister outfits line up, each stepping forward with scrolls. The cat barely looks and scribbles messy, meaningless brush strokes, moving faster and faster.
Dialogue (overlapping): Mice: "Your Majesty, urgent matter!" "National crisis!" Cat: "Approved. Next. Whatever."
Suddenly, the cat slams the desk and shouts, "ENOUGH!!" He stands up and kicks the mice one by one, sending them flying like rockets. Final shot: he smugly adjusts his robe and strides out, saying, "This empire runs perfectly."
Camera: fast cuts, whip pans, strong motion blur, 0.6–1.2s pacing, ending in slow motion. Tone: absurd, exaggerated, high-energy comedy.
(0:00-0:05): The Target Leo sits comfortably on sofa watching TV, eating a massive, delicious sandwich. Buddy sits perfectly still on the rug, 10 feet away, staring unblinkingly at the sandwich. Wide static shot showing distance.
(0:05-0:10): The Glitch Leo takes a bite, looks away at the TV, then looks back. Buddy is suddenly only 5 feet away. Buddy has not moved his sitting posture at all, he just magically slid forward. Leo blinks in confusion.
(0:10-0:15): Inevitable. Quick push-in. Buddy is now sitting uncomfortably close, directly beside Leo's knee. Extreme close-up of Buddy's massive puppy eyes and a single string of drool falling from his smile.
Leo slowly hands over a piece of meat.
concept:
style: "Fast paced American diner aesthetic. Neon lights, steaming coffee, and the clatter of silverware. 'The Office' style camera pans."
characters:
trader: "A 'Fin Bro' in a Patagonia vest, looking stressed at his laptop."
waitress: "An older, unimpressed waitress with a 'seen-it-all' attitude."
dialogue_logic:
trader: "If I tip you 20% on a forty-dollar bill, but I only have a hundred-dollar bill and two fives, how much do you owe me back?"
waitress: "Zero."
trader: "Excuse me? The math says you owe me sixty-two dollars."
waitress: "Honey, if you're asking me that question, you're not leaving a tip. You're just paying the bill. I'm keeping the fives."
trader: "(Stares blankly) ...Wait."
waitress: "(To the camera) I think he needs a tutor, not a trader."
production_notes:
twist: "The joke is that the trader is trying to be 'smart' with math, but the waitress is 'smart' about human nature she knows an arrogant guy asking math questions is usually a bad tipper."
title: "The Common Sense Test"
concept:
style: "Dry, satirical US medical dramedy (think 'House' or 'Scrubs'). Cinematic lighting with high contrast. The vibe is professional but sarcastic."
setting: "A high-end private clinic in Los Angeles. Glass partitions, Apple iMac on the desk, and a view of the city through the window."
characters:
doctor: "Dr. Miller; mid-40s, silver-haired, extremely dry wit. Wears a tailored white coat over a navy shirt. He's seen it all."
patient: "Tiffany; 20s, wearing high-end 'athleisure' (pink Lululemon-style set). She looks like she just came from a Pilates class. Sharp and unimpressed."
nurse: "Brian; early 20s, over-eager medical intern/nurse. Wears bright blue scrubs and a stethoscope he's a bit too proud of."
timeline:
0-4s:
action: "Slow tracking shot into the exam room. Dr. Miller is clicking a pen, looking at a clipboard. Tiffany is sitting on the exam table, scrolling on her phone."
visuals: "Clean, clinical aesthetic. The Nurse stands by the door with a tablet, looking very serious."
4-7s:
action: "The Doctor looks up, peering over his glasses to start the cognitive test."
dialogue: "Doctor: 'Okay, last one. You have seventy bucks in your wallet. You go to the store and buy thirty dollars worth of groceries. How much change does the clerk hand you?'"
7-9s:
action: "Tiffany doesn't even look up from her phone. She answers instantly with a 'duh' tone."
dialogue: "Tiffany: 'Twenty.'"
9-11s:
action: "The Doctor snaps the clipboard shut and starts walking toward the door."
dialogue: "Doctor: 'Perfect. She's lucid. Discharge her. She's good to go.'"
11-13s:
action: "The Nurse stops them, looking confused and doing math on his fingers. The camera 'snap-zooms' on his worried face."
dialogue: "Nurse: 'Uh, wait, Dr. Miller? Seventy minus thirty is forty... Shouldn't she get forty back?'"
13-15s:
action: "The Doctor stops at the door, slowly turns around, and gives the nurse a long, deadpan stare of pure disappointment."
dialogue: "Doctor: 'Brian... I think we need to admit *you* for a brain scan. She gave him the fifty. Leave her alone.'"
production_notes:
subtext: "The humor relies on the fact that no one hands over seventy dollars (a 50 and a 20) for a thirty-dollar bill. You just hand over the fifty. The patient passed the 'sanity' test; the nurse failed the 'real world' test."
camera_work: "Uses a 'The Office' style fast-zoom on the Nurse's confused face and then a slow, silent beat on the Doctor's reaction for comedic timing."
audio_design: "Standard muffled hospital ambiance. A sharp 'pen click' sound effect to punctuate the Doctor's movements."
Office Coffee Break Gone WrongShot 1: Tired office worker in a button-up shirt sips coffee at his desk in a modern open-plan office. Calm medium shot, fluorescent lights, papers everywhere.Shot 2: He spills a drop — the coffee suddenly animates into a hyper-caffeinated coffee monster with espresso eyes and foam tentacles.Shot 3: Low-angle shot: The monster rampages across desks, flinging staplers and keyboards in realistic arcs while the worker dodges in panic.Shot 4: Fast-paced tracking shot through the office as coworkers scream and dive under tables, papers flying like confetti with accurate physics.Shot 5: Climax: Worker grabs a fire extinguisher and blasts the monster, turning it back into harmless foam. He sits exhausted, now covered in foam, as everyone claps slowly
title: "Chibi Punk & The Mochi Betrayal"
style: "Japanese Healing / 4K Moe Aesthetic"
visual_parameters: "Warm yellow-toned lighting, soft-focus bokeh, 60fps, high-fidelity subsurface scattering on mochi and skin."
character_modeling:
protagonist:
base: "Chibi-style girl exactly matching reference @ image1"
features: "Blonde twin-tails with black bands, bright cyan eyes, punk-style black tank top with silver cross necklace, red plaid pleated skirt, studded belt, and chunky black buckled platform boots."
physics: "Elastic cheek movement, 'ahoge' (stray hair) that reacts to emotions, squishy and soft skin texture."
pov_hand:
identity: "A slender, elegant female hand."
detail: "Soft feminine skin texture, manicured nails (soft pink or matching black), slender fingers. Visible dainty silver rings."
cinematic_storyboard:
00_02_arrival:
camera: "First-person POV, looking down from a lazy-sofa height toward a low wooden coffee table."
action: "The Chibi protagonist's black boots pitter-patter into the frame. She leans over the table edge, chin resting on a knitted mat, staring at two overturned cat-themed ceramic cups."
02_04_the_first_bite:
action: "She uses her small gloved hands to lift the left cup, revealing one strawberry daifuku. She picks it up and takes a massive, stretching bite."
vfx: "Cheeks puff out like a hamster. Star-highlights ignite in her blue eyes. Her twin-tails bounce happily."
04_07_the_reveal:
action: "The POV female hand reaches into the frame and lifts the right cup, revealing a stacked mountain of three identical daifukus."
reaction: "The Chibi character freezes mid-chew. Her eyes widen into circles. Her 'ahoge' hair snaps straight up. She looks at her half-eaten mochi, then at the mountain, then back at the camera."
07_11_the_meltdown:
action: "Her eyes well up with tears. She pouts her lips excessively (duck-face). She quickly grabs all three new daifukus and her half-eaten one, hugging them to her chest."
movement: "She turns her back to the camera, huddling in the sofa corner. Her shoulders shake with small, aggrieved 'wu-wu' sobs."
11_15_tsundere_ending:
action: "The POV female hand gently pokes the Chibi girl's shoulder. She hugs the pile tighter, then slowly peeks one red-rimmed eye over her shoulder at a 45-degree angle."
climax: "She gives a sharp 'Hmph!' and turns away again, but the tips of her ears turn bright red. She secretly stuffs a whole daifuku into her mouth, her cheeks bulging as the frame fades."
technical_lighting:
style: "Warm afternoon sunlight through sheer curtains; fuzzy backlit glow on the blonde hair. Macro-focus on the mochi texture and the character's expressive eye movements."
15-second continuous single-shot cartoon sequence.
No cuts. No scene transitions.
Stylized 3D cartoon animation, vibrant colors, strong contrast lighting, exaggerated expressions, extreme squash and stretch, elastic motion, dynamic camera, high energy
Clear motion direction, escalating chaos, readable action, no jitter
Scene:
Living room at night, simple layout (sofa, table, lamp), dark environment with strong light contrast
0–3s — obsession trigger
Camera low, slowly pushing forward.
A small cat freezes completely still.
A tiny red laser dot appears on the floor.
The cat’s pupils expand instantly to full size.
Tail stiff. Silence.
3–6s — ignition
The dot moves suddenly.
The cat EXPLODES into motion.
Instant acceleration:
– slides across floor
– claws scraping
– body stretching forward
Camera snaps into fast tracking motion.
6–10s — escalation (controlled madness)
Laser moves faster and more erratically.
The cat escalates:
– runs along the wall horizontally
– jumps off furniture
– flips mid-air
– rebounds between surfaces
But motion stays readable (clean arcs).
Objects react:
– lamp swings
– cushions fly
– table slides slightly
Camera follows in dynamic arcs, not chaotic.
10–12s — peak absurdity (slow motion)
Laser suddenly stops mid-air on the wall.
Time slows.
The cat launches in a perfect exaggerated jump:
– limbs fully stretched
– mouth open
– eyes locked
Everything suspended:
– dust
– particles
– fabric mid-motion
12–15s — punchline
Time snaps back.
The cat SLAMS into the wall…
The laser dot is now on its own nose.
Instant freeze.
Eyes go cross-eyed.
Tail slowly drops.
Freeze.
core_style:
- 80s-90s Shaw Brothers movie style
- early Hong Kong wuxia drama aesthetics
- nostalgic Chinese wuxia film
- vintage TV quality
- warm and high-saturation color palette
- retro film grain texture
- slight Technicolor chromatic aberration
- classic studio backdrop feel
- soft stage lighting
visual_quality:
- 35mm film photography
- physical film defects
- vintage film texture
- subtle chromatic aberration (dispersion)
- soft focus effect
- slight light flickering
- strong bloom on highlight surfaces
character_modeling:
female_character:
- classic 80s period drama makeup
- dark eyeliner
- peach-pink lip balm
- exquisite braids with pink silk ribbons and flower accessories
- traditional light blue and white Hanfu with floral embroidery and silk texture
male_character:
- classic wuxia young scholar appearance
- long hair tied with a white silk ribbon reaching the waist
- signature sideburns
- clean-shaven face
- pure white scholar/swordsman long robe (Zhiduo)
script_and_storyboard:
logic: sitcom editing logic with early physical transition effects
scenes:
- shot_1: "Close-up: A young woman looks affectionately at a black and white cow cat on a wooden table. Dialogue: 'If only you could turn into a handsome guy.'"
- shot_2: "Medium shot: The cow cat is licking its paws, followed by a burst of retro white physical smoke effects in the center of the screen."
- shot_3: "Transformation: The smoke dissipates, and a handsome man in a white robe appears where the cat was."
- shot_4: "Over-the-shoulder shot: The woman looks pleasantly surprised and reaches out to touch the man's shoulder or chest. Dialogue: 'Wow, you really became a handsome guy!'"
- shot_5: "Medium shot: The man has a serious expression, gesturing with an orchid finger while speaking enchantingly. Dialogue: 'Have you forgotten you already had me neutered? I've changed now, I'm your sister!'"
- shot_6: "Close-up: The woman freezes with a shocked expression. Dialogue: 'Ah!?'"
audio_and_post_production:
- "Poof" transformation sound effect
- nostalgic Hong Kong background music
- AI voiceover with "Old Film" or "TVB dubbing style" accent
Pixar-style 3D animated comedy racing scene (15s). Desert canyon, sandy road, bright sky, dust and sparks. Two teams racing:
Bee Kart yellow-black kart with jet exhaust, crazy driver in orange helmet, calm passenger reading a book.
Log Cart giant wooden cabin on wheels, angry lumberjack driver, furious beaver co-pilot.
Fast-paced sequence: race start, aggressive swerves, ramming, log throwing, honey attack blinding the log cart, chaotic side-by-side crashes with fire and sparks. Final jump both vehicles go airborne, bee kart lands clean, log cart explodes into debris.
Dynamic cinematic camera: fast cuts, slow-motion impacts, zooms, 360 spins, motion blur, dust, fire VFX.
Pixar-quality rendering, expressive characters, exaggerated physics, vibrant desert colors.
The Silent Retreat Uproar.
Shot 1 (0.0-0.5): Macro shot of a mosquito landing on the Guru's nose during deep meditation. Audio: High pitched BZZZ.
Shot 2 : The Guru's eye twitches violently. Audio: Spring boing.
Shot 3 : He wildly slaps his own face, losing his balance. Audio: Sharp SMACK.
Shot 4 : He tips sideways off his elevated lotus cushion. Audio: Slide whistle.
Shot 5 : He crashes into a massive, 5-foot brass gong. Audio: Deafening GONG crash.
Shot 6 : The soundwave startles the aerial yoga class hanging from silk hammocks. Audio: Gasps.
Shot 7 : One student tangles in her silk, swinging wildly like a pendulum. Audio: Swish-swish. Shot 8 : She kicks a tray of burning incense into the air. Audio: Whoosh.
Shot 9 : Hot ash lands directly on a therapy goat. Audio: Maaaa!
Shot 10 : The goat charges, headbutting the bamboo room divider. Audio: THUD.
Shot 11 : The divider collapses onto the crystal bowl sound healers. Audio: Cacophony of ringing crystal.
Shot 12 : A vegan smoothie stand is knocked over by fleeing attendees. Audio: Splat!
Shot 13 : Green sludge covers the entrance doors. Audio: Squish.
Shot 14 : The Guru slips on the sludge, sliding right out the door. Audio: Cartoon slip.
Shot 15 : Freeze frame of the Guru mid-air, covered in green smoothie, a goat chewing his robes. Audio: Camera shutter CLICK. Narrator: 'Yep. That is me. Finding my inner peace.'
DUCK: Formula Splash
A swaggering rubber duck in racing goggles pilots a bathtub through a luxurious marble bathroom during a plumbing disaster. High-budget 3D animation, absurd speed and water physics.
[0s–1.5s] Wide shot. Water floods across a marble bathroom floor. A rubber duck stands at the bow of a floating bathtub like a fearless captain.
[1.5s–3s] He bites down on a toothbrush like a cigar. The tub surges forward as a burst pipe sprays like rocket thrust.
[3s–5s] He speeds around the sink pedestal, drifting in a perfect arc. Soap bars fly past like dangerous obstacles.
[5s–7s] A rival bath toy shark snaps up beside him in a toy speedboat made from a shampoo bottle.
[7s–9s] They race through ankle-high floodwater, under falling towels and bouncing loofahs, smashing through a curtain of shower steam.
[9s–11s] The duck yanks a shower cord like a lever, releasing a wave that flips the shark boat into the air.
[11s–13s] He hydroplanes up the sloped shower wall, launches, and clears the toilet in slow motion like a legend.
[13s–15s] Final shot. The duck lands in the sink basin and spins to a stop beneath a beam of sunrise, victorious, squeaking once.
Cute and sassy Pixar-inspired animated short of anthropomorphic breakfast items debating on a trendy kitchen counter in warm morning light: cool hipster Avocado half with sunglasses, tiny hat, and smooth attitude vs. anxious Slice of Toast with butter sweat drops and perfectionist face.
Multi-shot sequence:
medium shot of Avocado flexing its pit, close-up on Toast crisping up nervously,
over-the-shoulder during smash attempt, chaotic final shot with chili flakes flying.
Avocado says: "Bro, just smash me on you. We’ll be Instagram famous. Healthy fats, baby!"
Toast panics: "Easy for you to say! You’re always fashionably late and half-rotten inside. I get burned every morning!"
Twist: they combine but a hand adds chili flakes — both yell "Too much personality!" in spicy pain.
Vibrant food colors, bouncy physics, exaggerated expressions and steam/heat effects. Cinematic foodie camera: quick cuts, slow-motion smash attempt, playful zooms. Warm golden hour lighting with appetizing highlights. Sound effects: sizzling, nervous crunches, spicy yelps, and Instagram camera shutter. High-quality smooth animation, 15 seconds, relatable millennial food trend humor perfect for viral shares.
A humorous Pixar-style animated short featuring two anthropomorphic toothbrushes debating in a bright modern bathroom: grumpy old manual toothbrush with worn bristles, tiny arms, and expressive face vs. sleek confident electric toothbrush with glowing LED eyes, vibrating body, and influencer attitude.
Multi-shot sequence:
medium shot of manual toothbrush shaking angrily on the counter, close-up push-in on electric toothbrush proudly vibrating with flashing lights, over-the-shoulder shot during argument, chaotic wide shot as toothpaste flies everywhere, ending in sink with both looking defeated but friendly.
Manual toothbrush complains: "Back in my day we scrubbed with elbow grease! You just sit there buzzing like a lazy phone on vibrate!" E
lectric replies: "Bro, I clean 40,000 times per minute while you're doing cardio. I'm basically a gym membership for teeth!"
Twist: both get dropped in the sink, manual says "Truce?", electric buzzes weakly "Fine… but I still win on TikTok."
Vibrant colors, bouncy physics, exaggerated facial expressions, cartoon sound effects including angry shakes, buzzing vibrations, toothpaste splats, and dramatic whooshes. Dynamic camera: quick cuts, zooms, and playful pans. Soft morning lighting with shiny reflections on tiles. High quality, smooth animation, 15-second duration, funny and relatable tech vs old-school vibe.
A super-fast FPV shot on the back of a butterfly, taken from the point of view of a butterfly flying over a chaotic picnic in a public park. The camera flies over red-checked blankets, dodges between soda cans, plastic cups, fingers grabbing chips, and splashes of ketchup. The camera dips into a slice of watermelon. juice splashes in slow motion. He walks through a tunnel of paper plates, skirting a laughing child as he takes a bite. The camera slides over the dog's snapping jaws, flits between bubbles floating in the sun, and eventually sinks into a Coca-Cola can with a hiss. An absolute sense of scale, sweetness, noise, chaos, pure butterfly adrenaline.
TOP GUN: PIGEON — Rooftop Dogfight
A plump city pigeon with a tiny leather aviator helmet and goggles, puffed chest, strutting with absurd confidence, stands on the wing of a toy drone on a New York City rooftop. His rival, a seagull twice his size wearing a red scarf, circles above. High budget 3D animation, DreamWorks quality.
[0s–1.5s] Panoramic shot of the NYC skyline at golden hour. Camera drifts down to a rooftop where a pigeon stands heroically in the wind, feathers ruffling, goggles reflecting the sunset. A breadcrumb falls from his beak like a cigar.
[1.5s–3s] He hops onto the drone and slaps the propeller with his wing. It sputters to life. The drone lifts off wobbling. He grips with his tiny feet, leaning into the wind with absurd seriousness.
[3s–5s] The seagull dive bombs from above, screeching. The pigeon barrel rolls the drone to dodge. His cheeks flap in the G forces. A feather pops off. He watches it float away, annoyed.
[5s–7s] Aerial chase between skyscrapers. The pigeon weaves through laundry lines, the seagull smashing through sheets and emerging wrapped in a bedsheet like a ghost, still pursuing.
[7s–9s] The pigeon flies through an open office window, across a conference room full of shocked businesspeople, and out the other side. Coffee cups go flying. One man's toupee lifts off.
[9s–11s] He spots a hot dog cart below. Dives. Grabs a full hot dog with his feet at speed. The seagull follows but clotheslines on a street sign, spinning like a cartoon, stars circling his head.
[11s–13s] The pigeon lands on the Statue of Liberty's torch. Plants a tiny flag with his face on it. Takes a massive bite of the hot dog. Ketchup drips on Lady Liberty's hand.
[13s–15s] Wide shot. The pigeon sitting on the torch, silhouetted against sunset, chewing, helmet askew. The seagull limps past in the background, missing feathers. The pigeon doesn't even look. Cut to black.
3D animated, DreamWorks quality, pigeon aerial combat, NYC skyline chase, slapstick dogfight, cinematic comedy, 4K.
GRANNY SHREDS — Grandma Skateboard Championship
A tiny 85 year old grandmother, white hair in a perfect bun, wearing a floral dress, pearl necklace, and neon green high top sneakers, stands at the top of a massive halfpipe at a packed skateboarding championship. She holds a glittery pink skateboard. High budget 3D animation, Pixar quality.
[0s–1.5s] Wide shot of a massive outdoor skatepark. Thousands of cheering fans. Young pro skaters stretching nervously. The announcer's voice booms. Camera pans to the top of the halfpipe where a tiny silhouette adjusts her pearls.
[1.5s–3s] Close up of her face. She cracks her knuckles one by one. Each crack echoes like a gunshot. She puts on tiny cat eye sunglasses. The crowd goes silent.
[3s–5s] She drops in. The skateboard rockets down the halfpipe. Her floral dress billows like a superhero cape. Her bun doesn't move a single millimeter. Absolute composure.
[5s–7s] She launches off the lip. Full 720 spin. Her purse flies open mid rotation spraying hard candies and tissues into the crowd. She lands perfectly, catches the purse, snaps it shut without looking.
[7s–9s] Kickflip into a grind along the rail. Sparks fly from her board. A young skater's jaw literally drops to his chest like a cartoon. His buddy pushes it back up.
[9s–11s] She does a handstand on the moving board, dress falling over her face revealing bloomers with flames printed on them. The crowd erupts. Phones everywhere.
[11s–13s] Final trick. She rides straight at a massive ramp, pulls out her reading glasses mid ride, puts them on, reads the ramp angle, nods approvingly, and launches. Triple backflip. The sun behind her. Rose petals somehow explode in the air.
[13s–15s] She lands, stops the board with one orthopedic shoe, and curtsies. The entire stadium throws flowers. The young skaters bow. She pulls out a hard candy, unwraps it slowly, pops it in. Cut to black.
3D animated, Pixar quality, grandmother skateboarder, halfpipe slapstick, crowd reactions, cinematic comedy, 4K.
THE GREAT FISH HEIST — Cat Burglar Kitchen Raid
A chubby orange tabby cat with enormous green eyes, wearing a tiny black turtleneck and a miniature ski mask pushed up on his forehead, sneaks across a moonlit kitchen counter toward an unguarded salmon fillet on a cutting board. High budget 3D animation, Pixar quality lighting and fur rendering.
[0s–1.5s] Wide shot of a beautiful modern kitchen at night. Moonlight streams through the window. Everything is still. Then two glowing green eyes appear from behind a fruit bowl.
[1.5s–3s] The cat rolls across the counter like a secret agent, knocking over a salt shaker. He freezes. Catches it midair with one paw. Places it back. Wipes his brow with immense relief.
[3s–5s] He reaches the salmon. His pupils dilate to full circles. A single tear of joy rolls down his cheek. He reaches out one trembling paw, claws extended delicately.
[5s–7s] A dog's bark echoes from another room. The cat's entire body puffs up to triple size. His tail goes rigid like an exclamation mark. He grabs the salmon and stuffs the entire thing in his mouth, cheeks bulging impossibly.
[7s–9s] A massive golden retriever slides into the kitchen, paws scrambling on tile, crashing into the refrigerator. The cat is already on top of the fridge, salmon hanging out of his mouth, looking down with pure contempt.
[9s–11s] The dog stacks kitchen chairs to reach the fridge. The cat watches, unimpressed, casually chewing. The chair tower wobbles. The dog's eyes go wide.
[11s–13s] The chairs collapse. The dog crashes through a tower of pots and pans. An explosion of kitchenware. A colander lands on the dog's head like a helmet. He sits in the wreckage, tail still wagging.
[13s–15s] The cat drops the fish skeleton on the dog's head, pulls down his ski mask, and moonwalks across the counter toward the window. He turns back, salutes, and disappears into the night. Cut to black.
3D animated, Pixar quality fur and lighting, kitchen heist, cat vs dog comedy, moonlit slapstick, cinematic, 4K.
Realistic handheld footage of a MacBook Pro screen filling most of the frame, showing a Zoom meeting window with only one young woman in a tidy bedroom, attending a formal meeting from home. She wears a dark blazer and looks professional from the waist up. The room is bright, natural, and believable. The shot should preserve realistic screen reflections, subtle moiré pixel texture, tiny dust on the glass, and slight handheld camera shake.
After a brief moment, she hears a noise from the door offscreen. She glances to the side, slightly startled, then quickly stands up and starts walking away from her chair to answer it. Because the camera is filming the laptop screen, we see her moving inside the Zoom window. Halfway to the door, she suddenly freezes, looks down, and realizes she is only wearing underwear on her lower body. Her expression instantly shifts to embarrassment and panic as she remembers that her Zoom camera is still on. She spins around and rushes back toward the screen in a frantic, awkward, comedic way. She quickly returns to the laptop and blocks the camera with both hands or throws herself in front of it, covering the lens and ending the shot in chaotic close-up.
The tone is realistic and comedic, with strong contrast between formal upper-body business attire and the accidental lower-body mistake. Emphasize awkward humor, authentic facial acting, natural body motion, realistic indoor lighting, handheld movement, slight motion blur, and believable Zoom-call visuals. Keep it non-explicit: no nudity, no revealing details, no erotic framing, no vulgarity. The focus is on embarrassment, urgency, and comedy.
15-second comedic animated short in the world and visual tone of Zootopia. High-quality stylized 3D animation, expressive facial acting, clean readable slapstick, bright police-station interior, polished reflective floor, warm indoor daylight. Visual comedy only, little or no dialogue.
Judy Hopps: small fast rabbit police officer, blue ZPD uniform, hyper-serious, explosive sprinting, precise slides, determined face, ears reacting sharply.
Nick Wilde: tall slim fox, green shirt and tie, relaxed posture, minimal movement, dry amused expression.
Background: one distant sloth clerk at a far desk only, never entering foreground.
Key object: one single strawberry jelly donut, same donut for the entire clip, falls from Nick's small brown paper bag, rolls across the floor, gets stopped by Nick, then gets sealed into one clear evidence bag by Judy. No duplicate donuts, no extra props, no continuity errors.
Camera language: third-person cinematic comedy, medium shots, low-angle close tracking on the donut, one side tracking shot, one final tight two-shot. Smooth stabilized movement, tiny comedic whip corrections only when needed. Always keep donut, Judy, and Nick spatially readable.
0:00–0:03
Medium shot, light tracking in ZPD lobby. Judy and Nick walk side by side past the front desk. Judy carries a small clipboard, Nick carries a brown paper bag. One strawberry jelly donut slips out of the bag, drops to the floor, and starts rolling. Judy's ears snap upright and she locks onto it like a fleeing suspect. Camera dips lower to keep the donut in the foreground.
0:03–0:06
Low close tracking shot on the same donut rolling fast over the shiny floor. Judy bursts into frame from behind, clipboard tucked under one arm, sprinting hard with both paws reaching forward. She almost grabs it but misses by centimeters. The donut keeps rolling. Quick readable camera adjustment, no chaotic motion.
0:06–0:09
Side medium-wide tracking shot. The donut curves around a fixed desk leg. Judy makes an exaggerated quick step and low slide to intercept, but it slips past her again. She pivots and chases immediately. In the background, Nick simply walks on a shorter diagonal path, calm and unhurried. Keep the same donut clearly visible.
0:09–0:12
Frontal medium-close shot. The donut rolls toward camera. Nick's paw enters calmly from frame right and presses the same donut to a stop. Judy slides in from frame left and freezes with her nose just inches from it, still in full arrest pose. Hold the reaction beat clearly.
0:12–0:15
Tight two-shot. Nick lifts the same donut with two fingers and hands it over with a dry smug grin. Judy instantly switches back to formal police mode, pulls out one clear evidence bag, seals the same donut inside, and proudly presents it to camera like a major arrest. Nick stands beside her with an amused look. In deep background, the sloth clerk slowly raises a stamp. End on a clean comedic freeze frame: evidence bag with the donut centered in foreground, Judy serious and proud, Nick smirking beside her.
Consistency rules: same donut throughout, no extra donuts, no costume changes, clipboard stays with Judy, background sloth remains distant, no extra foreground characters, no object popping in or out, final frame must clearly show the donut inside the evidence bag.
FORMAT: 15s / MULTI-CUT / 6 BEATS / HIGH-VIRAL GAME COMEDY
SUBJECTS: A spirited young customer with huge expressive eyes, varsity jacket, sneakers, and bouncy cartoon timing. A charismatic shrimp chef with a tall paper hat, rolled sleeves, striped apron, and showman reflexes, rendered in stylized 3D with rounded proportions, squash-and-stretch, and clean readable poses.
ENVIRONMENT: A lively American seaside boardwalk food stand at sunset with chrome counters, a sizzling flat-top grill, string lights, striped awnings, condiment bottles, drifting steam, and amused onlookers gathered in a semicircle.
MOOD: Immediate audience hook that turns into a playful mini boss fight, escalating from one lucky catch into a rhythmic toss duel with a perfect-catch payoff.
COLOR LOGIC: Hyperreal Pop Look
TIMELINE:
0:00-0:02: The Hook. Extreme close-up, 50mm. A shrimp blasts off the grill toward camera, then snap cut to medium, 35mm, as the customer reflex-catches it in a paper tray. The chef freezes. The customer grins like the game just started. SFX: grill pop, whoosh, catch tap, crowd gasp.
0:02-0:04: Challenge Accepted. Match cut, medium close-up, 50mm. The customer flicks the shrimp back. The chef catches it on a spatula edge without looking and turns like a boss reveal. SFX: tray flick, metallic ting, sneaker squeak, crowd murmur.
0:04-0:07: Rhythm Battle One. Fast alternating cuts, 35mm and 50mm. Shrimp ping-pongs between them in quick arcs: underhand toss, backhand spatula pop, over-shoulder catch, instant return. The customer locks into the tempo. SFX: whooshes, spatula clacks, tray taps, laughter rising.
0:07-0:10: Rhythm Battle Two. Whip pan to wide, 28mm. The chef adds trick rebounds off the grill hood and ketchup bottle. The customer slides sideways and catches both with gamer focus, tray centered perfectly. SFX: whip rush, metal ping, bottle knock, two rapid catch clicks, louder crowd reaction.
0:10-0:11: Boss Wind-Up. Smash cut, medium close-up, 50mm. Flame flares behind the chef as he lines up three shrimp across both spatulas. Tiny nod. The customer drops into stance, tray raised like a shield. SFX: flame burst, sting, spatula scrape, held breath.
0:11-0:15: Perfect Catch. Cut on action, 85mm to 35mm. The chef fires the three-shrimp combo: one high, one low, one centerline. The customer tracks every beat, snapping the tray up, down, then forward so all three land clean in one stacked catch. One-beat silence, then the boardwalk erupts as the chef laughs and points at the customer like a worthy rival. SFX: triple whoosh, three crisp taps, silence drop, explosive cheers, delighted laugh, victory music hit.
Eastern action-comedy style, 15 seconds, one continuous take. Inside a wooden dojo, an elderly legendary master has been invited to give a "gentle balance demonstration." He stands at the center, humble and restrained in expression. Several students step forward one by one to assist. He merely taps a shoulder, wrist, or forehead lightly with a single finger, yet each student spins dramatically through the air, slides across the floor, crashes into soft mats, or flips behind the weapon rack. Each time, the master pulls his hand back with slight embarrassment, as if he himself did not expect that to happen. The camera shifts quickly between wide and medium shots, with action that is fluid and exaggerated. The entire dojo falls into absurd silence and stunned disbelief.
东方动作喜剧风格，15秒，一镜到底，木质道场内，一位年长的传奇宗师被邀请做"轻柔平衡演示"，他站在中央，神情谦逊克制。几位学员依次上前配合，他只是用一根手指轻轻点一下肩膀、手腕或额头，学员们却夸张地旋转飞出、滑过地板、撞进软垫、翻进兵器架后面。宗师本人每次都略显尴尬地收手，像是自己也没想到会这样，镜头在全景和中景之间快速切换，动作流畅而夸张，整个道场陷入荒谬的安静与震惊。
cute anime style VTuber shorts, vertical 9:16, soft manga line art, warm cozy room with plushies, cardboard desk with camera, dim candlelight for story mood.Proud white fox girl with long white hair, fluffy fox ears and tail, oversized pink hoodie with frill hood and ribbon, sitting elegantly listening to story. Mischievous tanuki girl with round ears, bushy striped tail, black T-shirt and shorts, dramatically telling a 'scary' story in low voice like Junji Inagawa style 'むかしむかし…夜の山道で…お菓子を落とした女の子が…' with funny hand gestures and http://pauses.Fox girl starts smiling 'ふふ…面白いですわね♡' but gradually sweatdrop, ears twitching nervously, eyes widening in confusion as story gets sillier.Tanuki girl suddenly raises voice 'そしたら…お菓子が全部頭に落ちてきて…！！' and mimics dropping snacks on her own head http://comically.Fox girl realizes it's not scary at all, face turns bright red in embarrassment, covers face with hands 'あ…これは…怖くありませんわね…！！' then bursts into embarrassed laugh-scream 'ああああああ！！ 恥ずかしいですわああああ！！ わたくしの怖い話が…ポンコツすぎて…あああああ！！' with exaggerated blush, ears flatten, tail frizzes, arms flailing http://cutely.Fast comedic timing after slow build-up, exaggerated embarrassment physics with face cover and light screen shake, sweat and heart drop effects, wholesome funny light-hearted cartoon style, original characters only, no harm, no violence, no intense distress, just playful silly fun.ラストカットでたぬきちゃんが笑いながら 'へへっ！ きつねちゃんの怖い話…面白すぎるのだー！ ぽんこつきつねーwwww' とドヤ顔で締め。wholesome funny light-hearted cartoon style, original characters only, no harm, no violence, no sensitive topics. Things to avoid: self-harm, death, suicide, intense distress, realistic humans, copyrighted characters, scary horror elements, loud screams that could be distressing.
15s / MULTI-CUT / 6 BEATS / HIGH-VIRAL COMEDIC PAYOFF
SUBJECTS: A small round-faced figure with huge eyes, copper-red pigtails, a yellow polka-dot dress, and exaggerated cartoon proportions. A tall ice cream vendor with a curled mustache, crimson vest, tilted cap, and a long brass paddle carrying elastic white ice cream. Stylized 3D animation with rounded shapes and squash-and-stretch.
ENVIRONMENT: A sunlit stone courtyard in an old hillside town with flower-draped archways, a mosaic fountain, ceramic bowls, and a brass ice cream cart with copper bells. Late afternoon light creates warm highlights on cobblestone.
MOOD: Fast slapstick mischief with instant hooks, fake wins, and a crowd-pleasing payoff.
COLOR LOGIC: Hyperreal Pop Look
TIMELINE:
0:00-0:02: The Scroll Stop. Extreme close-up, 50mm. Huge eyes reflect a spinning white scoop, then pull fast to a wide shot, 35mm, revealing the figure frozen mid-skid as the vendor presents the brass paddle like a stage trick. SFX: sharp gasp, bell flutter, fountain splash.
0:02-0:04: Match cut into The First Miss. Close-up, 50mm. Hands clap shut on empty air as the cone snaps upward. The face stays frozen while the pupils tilt up. SFX: quick whoosh, soft clap, tiny squeak, crowd chuckle.
0:04-0:07: Cut on action into The Side Switch. Medium wide shot, 35mm. The vendor slides the paddle behind his back and pops the cone out on the other side. The figure lunges left, scrambles right, and pinwheels in place. A tea glass rattles on a nearby table. SFX: paddle swishes, shoe skids, glass clink, growing laughter.
0:07-0:09: Reaction cut into The Fake Victory. Medium close-up, 50mm. The cone lands in the waiting hand and the face bursts into victory, then the vendor peels the stretchy scoop away in one smooth move, leaving the cone bare for a beat. SFX: victory chime cut short, peel wobble, laughter pop, offended inhale.
0:09-0:11: Insert cut into The Public Humiliation. Insert shot of a ceramic cat staring from a shelf. Smash cut to a medium shot, 35mm, as the figure sags into noodle posture, then puffs both cheeks and folds both arms while onlookers bounce with silent laughter. SFX: tiny huff, crowd laughter swell, cart bell tinkle.
0:11-0:15: Whip pan transition into The Real Win. Medium close-up, 50mm. The vendor kneels and places the cone gently into the waiting hand with no trick this time. One still beat. The figure looks down, eyes sparkle, then the camera pulls back to a wide shot, 35mm, as the figure leans in for the first taste and the courtyard breaks into applause. SFX: soft handoff, held-breath pause, bright chime bloom, applause burst, warm music lift.
【Style】Mockumentary, mobile VLog perspective, hyperrealistic CG combined with real scenes, 8K quality, perfect fur physics simulation.
【Duration】15 seconds
【Scene】Hongya Cave in Chongqing or a busy overpass intersection (with magical 8D city feel).
[00:00-00:05] Shot 1: Visual spectacle (The Reveal).
The scene shows a bustling city street. The camera lifts up to reveal a **Gozilla-sized white tabby cat** stuck between two skyscrapers.
Action: The giant cat is stuck because it's too fat, waving its huge paws with a pitiful expression, trying to pull itself out.
Detail: Cat fur is clearly visible in the sunlight, huge paw pads pressing against glass curtain walls, deforming the glass.
[00:05-00:10] Shot 2: Absurd interaction (The Interaction).
The camera switches to ground-level perspective. Traffic flows on the street, traffic lights flashing. The giant cat lowers its head, bringing its huge cat face close to the ground, curiously sniffing a bus waiting at a red light.
Action: The bus driver calmly reaches out and pets the giant cat's nose. The cat sneezes, instantly blowing away roadside leaves and pedestrians' hats (wind effect).
[00:10-00:15] Shot 3: Memetic ending (The Punchline).
The giant cat finally squeezes past the buildings and sits down on a cross-river bridge, causing the bridge deck to sink slightly (physical feedback).
Narrative sense: It lazily lies down and starts grooming itself, blocking the entire evening rush hour traffic. The camera finally freezes on its innocent big eyes.
FORMAT: 15s / 6 SHOTS / heartwarming woodland comedy / short dialogue
STYLE: hyperreal cinematic woodland animation, warm golden hour light filtering through bark cracks, cozy mossy interior of a hollow tree stump café, wooden table with acorn cups and leaf napkins, soft depth of field, gentle camera movement, ultra-detailed fur and feather textures, expressive emotional faces, premium stylized 3D animated feature quality
Shot 01 (0:00-0:02)
Wide establishing shot, slow dolly in. Inside the cozy hollow tree café, Harold the tiny hedgehog sits at a round table with a birch-bark clipboard and clears his throat. He smiles warmly and says, “Welcome, everyone.”
Shot 02 (0:02-0:04)
Medium shot. Sylvie the squirrel bursts into frame, tail twitching wildly, clutching one acorn. She blurts out, “I lost my confidence!” and drops into the chair.
Shot 03 (0:04-0:06)
Fast side shot. Barry the blue jay swoops in dramatically, lands too hard, and knocks over an acorn cup. He puffs his chest and says, “Relax. I’m incredible.”
Shot 04 (0:06-0:09)
Quick comedic push-ins between faces. Sylvie looks overwhelmed, Harold gives Barry a patient look, Barry tries to look cool while the spilled acorn cup rolls across the table and leaf napkins flutter.
Shot 05 (0:09-0:12)
Slow circular dolly around the table. Barry shrugs and says, “I once sat on my wings.” Sylvie breaks into laughter first, then Harold, and finally Barry joins in, feathers and quills shaking with the laugh.
Shot 06 (0:12-0:15)
Pull back to a warm wide shot. They clink acorn cups. Harold smiles and says, “We’re all a little nutty.” The three lean in for a tiny fluffy group hug as fireflies drift upward in the golden tree light.
NEGATIVE: flat lighting, low-detail fur, stiff facial animation, weak lip sync, muddy textures, cheap cartoon look, jittery camera, distorted anatomy, empty background, dull expressions
Overall Intent: A deceptive cinematic sequence transitioning from serene, stylized portraits on a sun-baked prairie to rough, adrenaline-pumping tribal survival action scenes, utilizing strong dust physics, aggressive camera shake, and dramatic slow motion.
Shot Sequence:
Shot 1 (0-3s) Medium Shot Camera Movement: Push-in Motion Dynamics: Slow, smooth, deliberate camera push-in to establish a false sense of tranquility. Core Action: A young woman (a tribal warrior, with white face paint, a striking red handprint on her chest, wearing an elaborate beaded blouse and feather skirt, long, dark brown curly hair, and a feather headdress) stands completely relaxed on a sun-baked prairie covered in tall, dry grass. The intense midday sun. Realistic hair physics and complex fabric simulation as a breeze blows. She casually twirls a strand of hair around her finger. Suddenly, her eyes abruptly turn to one side, revealing a highly alert micro-expression. Audio environment: Loud wind sounds, cicada chirping, a sudden, aggressive bow draw, and a heavy heartbeat. (Cut to)
Shot 2 (3-10s) Panoramic Camera movement: Handheld Motion dynamics: A sudden transition to violent, aggressive handheld camera movement, simulating documentary-style battle footage. Core action: Explosive dynamic movement. The woman scrambles to the ground with lightning speed, demonstrating real conservation of momentum, milliseconds before an arrow flies overhead. She rolls aggressively through the hay, kicking up a thick, volumetric cloud of golden dust (complex particle collisions and fluid dynamics). A hand emerges from the dense dust, pulling out a bone dagger. She delivers a powerful, rapid thrust directly into the camera lens, her body physically passing through the dust cloud. Audio environment: Cinematic air whooshing sounds, heavy thuds of a body hitting the ground, rustling of hay, and loud, aggressive tribal taiko drumming. (Cut to)
Shot 3 (10-14s) Low angle. Camera movement: Static shot. Motion dynamics: Slow motion (bullet time effect), looking up from the ground to establish dominance. Core action: The woman stands high above the camera's subjective viewpoint. Her chest rises and falls with heavy, tired breathing (realistic human behavior). The white paint on her face is now stained with realistic dirt, and the red handprint on her chest catches the glaring sunlight. She stares directly at the camera with a wild, fierce gaze, then suddenly twists her wrist, using realistic physics to fling a bone dagger to the side to shake off imaginary blood. Audio environment: The drumbeat reaches a huge climax and abruptly stops, leaving only heavy breathing and the crisp whooshing of weapons. (Cut to)
Shot 4 (14-15s) Close-up. Camera movement: Tracking. Motion dynamics: A rapid inward push, directly into the subject's eyes. Core action: A close-up of the woman's fierce, predatory eyes fills the frame. The scene instantly cuts to complete black. A minimalist text overlay appears: “Don't wake the predator.” Audio environment: silence interspersed with the distant cry of an eagle.
MASTER PROMPT
Global Intent: A hyper-dynamic, high energy John Wick-style hand-to-hand combat sequence where elite tactical skills and weaponry are absurdly used to secure the last bag of chips in a brightly lit supermarket. The tone mixes gritty realism with comedic deadpan. Hard Lighting.
SEQUENCE LIST:
SHOT 1 (0-3s) Medium Shot
• camera_motion: panning right, crash zoom in.
• core_action: Tactical Girl (Age: 25, Ethnicity: Caucasian, Gender: Female, Hair: messy brown escaping helmet, Eyes: hidden by black tactical shades, Build: athletic, Wardrobe: olive tactical helmet, camouflage uniform, heavy body armor plate carrier, Posture: aggressive combat-ready, Mannerisms: hyper-lethal precision, Emotion: stone-cold deadpan) approaches the shelf with confident movement. Fast whip pan right to a lone bag of chips. She reaches out, but simultaneously, the massive, hairy arm of a Huge Biker (Age: 40, Ethnicity: Caucasian, Gender: Male, Build: massive, Wardrobe: leather vest, Emotion: enraged) reaches from off-frame. Crash zoom in on both hands grabbing the foil bag at the exact same moment. Realistic physics governing heavy fabric. Audio environment: quiet supermarket ambiance, rising bass drop, loud foil crunching.
(CUT TO)
SHOT 2 (3-6s) Close-Up
• camera_motion: handheld.
• core_action: Tactical Girl snaps her gaze up to the competitor, her face remaining completely stone-cold behind the sunglasses. The camera shakes aggressively. She holds the chip bag securely with her left hand and, with a lightning-fast energetic movement, delivers a devastating strike with her rifle butt directly onto the Biker's hands. Authentic momentum conservation, rigid body collision. Audio environment: heavy fast industrial beat starts, painful metal-on-flesh thud, bone crack, short male grunt.
(CUT TO)
SHOT 3 (6-9s) Wide Shot
• camera_motion: tracking shot, panning right.
• core_action: Action at maximum speed. The Huge Biker tries to lunge, but Tactical Girl executes a sharp slide tackle, kicking his knee with her tactical boot and forcing him down. She spins 360 degrees and violently slams him back-first into the metal shelving. Canned peas cascade down onto their heads. Complex cloth simulation, realistic destruction physics, debris scattering. Audio environment: deafening clatter of falling metal cans, heavy body slam, tearing metal sounds.
(CUT TO)
SHOT 4 (9-12s) Low Angle
• camera_motion: orbit right, tilt up.
• core_action: The Huge Biker lies defeated on the floor. Tactical Girl plants her heavy tactical boot firmly on his chest, pinning him down. The camera rapidly orbits upward around her from a low angle as she stands triumphantly over him, holding the perfectly intact bag of chips in her hand. Proper weight and balance. Audio environment: heavy panting, squeaking leather and cordura, fading fight sounds.
(CUT TO)
SHOT 5 (12-15s) Extreme Macro Shot to Medium Shot
• camera_motion: static shot, pull out.
• core_action: Extreme macro shot: Tactical Girl whips out a curved karambit combat knife. With a fluid movement, she cleanly slices the top of the plastic chip bag off. Pull out to Medium Shot: She pulls out a single chip and bites it while looking down at the fallen enemy. A subtle, cocky smirk appears on her lips. She walks away down the aisle, tossing chips into her mouth, leaving the groaning Biker in a pile of cans. Authentic human behavior patterns. Audio environment: sharp metallic shing of a knife, plastic ripping, hyper-exaggerated loud crunch, industrial music abruptly stops.
(CUT TO)
Take several talented video editors and give them a ridiculously powerful tool. Make a fight animation with retarded meme characters and make sure it gets at least 50 likes.
Slightly canted Dutch angle shot — girl pushes through the glass door of a grocery store, mid-laugh, covering her mouth. Camera tilted ~8 degrees, playful and off-kilter.
Larry David in full Curb Your Enthusiasm freakout mode, wild-eyed and gesturing frantically in a cluttered home office, yelling at his laptop screen that’s displaying a hyper-realistic AI-generated video of himself using Seedance 2.0 to make illegal...
Patrick Star is up against Usain Bolt in a track meet. it's very intense with an epic build up as they get ready at the start line and the gun is fired in the air to start the race as the music immediately halts and Usain Bolt takes off super fast as the camera lingers on Patrick star running very slow and huffing for breath
One more Seedance version of "Monica's apartment from the show Friends, except all of the friends are otters wearing wigs. The otter with a Rachel wig says "Is anything weird" and the one with a Joey wig says "Nope, all is normal". Attempt 2 of 2. The laugh track is something https://t.co/De7gcAOnUZ
Ip Man: "I don't fight one-on-one." Bruce Lee: shadow clones ×10 👊
Ip Man: "That'll be ¥300 tuition." Bruce Lee: pulls out phone, scans to pay 📱 Ip Man: hands diploma "You graduated." 🎓💀
Holy hell - you HAVE to see this. Seedream 2.0 video AI!
Prompt: Avenger's Endgame during the big fight scene but Thanos stops everything and tells all the superheroes that he's sorry. All the superheroes immediately accept this and start to walk away, but then Spiderman says "oh hell no, he killed like a bajillion people!" And so they all rush back and kick him while he's down.
Prompt: A young woman in a futuristic suit holding a flamethrower, shooting flames in a dramatic pose, cinematic lighting, high detail, 4K resolution, dynamic action scene.
SHOT1 Low ground-level wide shot of a living room. A modified racing Roomba is already speeding across hardwood floor at triple normal speed, LED lights flashing. Furniture creates an obstacle course. The Roomba weaves between chair legs. Tiny but surprisingly fast.
SHOT2 Ultra-low angle tracking alongside the Roomba. Its brushes spin furiously. Dust particles fly. The Roomba approaches a ramp (a book propped on a shoe). It hits the ramp at speed.
SHOT3 Slow-motion shot as the Roomba launches off the ramp, going airborne. The round body rotates slightly mid-flight. All wheels leave the ground. Peak height: three inches. Epic in context.
SHOT4 The Roomba lands, bounces once, keeps racing. It crosses the finish line (a strip of painter's tape) and automatically stops, playing a victory jingle. A cat watches from the couch, unimpressed.
Currently testing multi-shots with @Kling_ai 3.0 to see how it holds up. All of this was generated from a single image. This is also the raw audio (definitely an improvement over the delivery of dialogue). Consistency is honestly very impressive. Poor Barry, he just loves honey 🍯
Prompt:
Shot 1 (3s): A cinematic shot of a British detective interrogating a bear in handcuffs. Medium over the shoulder shot as the British man says to the bear "Come on Barry! Why do you keep doing this? This is the third time in 3 months now!
Shot 2 (4s): Extreme closeup focused on the bears face, it's expression is shame, it just looks down and says "I can't help it, I'm addicted, I really love honey"
Shot 3 (4s): Extreme closeup of the Britsh detective with a disappointed expression.
Shot 4 (4s): Extreme closeup of the bears T-shirt that says I love honey and then cut back to the detectives face looking disappointed and shaking his head. Off camera you can hear the bear say "I'm sorry, I won't do it again"
generate the frame in sequence as per the storyboard, cut away from storyboard after the first 0.01 frame and cut to the first shot of the host starting off saying, "Sup Slugs, today I'm in the bowels of the sanity soup factory", he then proceeds to interview the owner, closeup of the brew and then he tries the disgusting soup that causes him to lose his sanity
Seedance 2.0
