An open-source collection of awesome video prompts. · Collected 1384 prompts
A lone fighter standing still, exhausted, holding a weapon loosely, breathing heavy + Looks up, then charges forward at the last second. Ruined battlefield with fire burning in the background, smoke drifting across the scene. Slow push-in toward his face building tension, sudden speed ramp as he charges, explosion igniting behind him lighting the frame, cinematic contrast between stillness and violent release.
Seedance 2.0Camera mounted inches from second bike — ((two motorcycles hit 300 km/h across salt flats at sunset)). Rider leans into curve, tire screams on cracked earth, ((white dust rooster tail rises 30 feet)). Golden hour backlight, lens flare.
Seedance 2.0Part 1 — The First Circle [0:00–0:15] Photorealistic cinematic, Ridley Scott natural light, Midwest American farmland. Golden wheat at sunset. Quiet rural beauty masking something deeply wrong. Warm amber palette beginning to desaturate. No dialogue. 0-4s: Wide aerial shot, 24mm f/8. Endless golden wheat fields stretching to the horizon at sunset. A white farmhouse, red barn, dirt road. Quintessential American heartland beauty. Warm golden light. A farmer on a tractor moves slowly through rows. Peaceful. Then — a perfect circle of GREY in the wheat. The tractor stops. 4-8s: Ground level, 35mm anamorphic f/4. The farmer walks to the circle edge. He steps from golden wheat into the circle — the wheat inside is dead grey. Not wilted — DRAINED. No colour. No moisture. He picks up a handful of soil. It runs through his fingers like fine ash. The ground is desiccated — cracked, bone-dry, lifeless. But the circle's edge is PERFECTLY cut. Geometrically precise. No natural phenomenon does this. 8-12s: Close-up, 85mm macro f/2.8. The soil at the exact centre of the circle. Something pulses beneath the surface. A faint vibration. The grey dust shifts. Then — thin root-like tendrils push upward through the cracks. Not plant roots — alien. Dark, veiny, pulsing with faint bioluminescence. They spread outward radially. The ground itself is being consumed from below. The farmer steps back. His boot prints fill with grey dust instantly. 12-15s: Wide shot — the farmer runs toward his house. Behind him, the circle is EXPANDING. In real-time. The grey boundary moves outward through the golden wheat, draining colour and life as it advances. Golden stalks turn grey and crumble in a wave. His farmhouse is 200 meters from the edge. Sunset light catches the advancing grey front — amber meeting ash. Hold on the contrast. Part 2 — Global Drain [0:15–0:30] Photorealistic cinematic, escalating aerial montage. The circles appear worldwide. Golden landscapes desaturating to grey. Ridley Scott epic scope. Amber palette progressively draining to monochrome. No dialogue. 0-4s: Satellite time-lapse — North America. Circles appear across the Great Plains overnight — dozens, then hundreds. Each one a perfect grey disc expanding outward. They merge. From orbit, the farmland is developing grey lesions like a disease. Cities remain unaffected — it only targets soil, organic matter. News helicopter footage shows the scale — the grey zones stretch to every horizon. 4-8s: Global montage — rice paddies in China draining from green to grey. Vineyards in France withering circle by circle. African savanna — golden grassland turning to ash outward from circles. The Amazon — even the jungle canopy greys and crumbles. Each circle has the same root-like structures pushing upward from the centre, growing taller. Pulsing. Feeding. 8-12s: The root structures are now enormous — 50 meters tall, twisted organic pillars rising from each circle, covered in veiny channels that pulse with whatever they're extracting from the earth. The channels glow faintly — moving liquid upward. Not water. Not sap. Something fundamental — the organic vitality of the soil itself. A scientist takes a reading: "It's extracting carbon. ALL the carbon. The soil will be sterile in weeks." 12-15s: Sunset shot — a farmhouse now completely surrounded by grey wasteland. The golden wheat is gone. Only ashen desert remains, punctuated by massive alien root pillars stretching skyward like dark trees. The sky above the pillars shimmers — the extracted material is being transmitted UPWARD. A faint shape is visible in the upper atmosphere. Something is receiving the harvest. The sky splits with amber light. Something is coming down. Part 3 — The Harvesters Descend [0:30–0:45] Photorealistic cinematic, peak spectacle. Organic alien harvester ships descend through the atmosphere. Biomechanical design matching the root structures. Ridley Scott Alien meets Signs. Maximum scale. No dialogue. 0-4s: Sky shot — the atmosphere tears open. Not explosions — organic apertures dilating in the clouds. Through them, MASSIVE organic structures descend. Harvester ships — but not metal. Biomechanical. Their hulls are covered in the same root-like textures as the ground structures. Veiny channels crisscross their surfaces. They are ALIVE. Dozens descend through cloud openings worldwide. Each one kilometers across. 4-8s: Ground level, 24mm ultra-wide. A harvester passes overhead — its underside fills the entire sky. Tendrils hang from it like roots, reaching downward toward the root pillars on the ground. Connection. The ground pillars extend upward, the ship tendrils reach down — they LINK. A massive pulse of energy transfers upward. The ground shakes. The last remaining colour in the landscape drains to grey as the harvester feeds. Dust rises. A farmer's truck is dwarfed beneath the ship — a toy under a tree. 8-12s: Wide shot — a harvester hovering over what was once golden wheat country. The landscape below is lunar — grey, cracked, sterile. The harvester's body pulses with absorbed life — its veins glow amber now, filled with what it took. It is getting FATTER. More vibrant. The Earth's vitality transferred into alien biology. The contrast is sickening — the ship grows beautiful as the land dies. 12-15s: Orbital view — multiple harvesters visible from space, connected to the planet by columns of tendrils. The Earth's surface is visibly greying — continents losing their green and gold, turning ashen. The harvesters pulse with stolen amber light. The planet is being drained like a fruit. Squeezed dry. And the harvest is only beginning. Part 4 — Sterile Earth + Title [0:45–1:00] text Photorealistic cinematic, final act devastation. The harvest complete. Earth drained. Ridley Scott desolation. No dialogue. 0-4s: Orbital shot — Earth rotating slowly. It is no longer the blue marble. The continents are grey. The oceans dim. The planet has been drained of organic vitality. It resembles the Moon — sterile, ashen, dead. The harvesters detach from the surface, their tendrils retracting. They are bloated with stolen life — glowing warm amber, pulsing with health. They begin to ascend. Leaving. 4-8s: Surface — the farmhouse from Part 1. Grey dust covers everything. The red barn is grey. The wheat is ash. The farmer stands in his doorway, looking at the sky as the harvesters rise and shrink. Dust blows across the dead ground. He holds a handful of grey soil — it flows between his fingers. Nothing will grow here again. His hand trembles. He lets it fall. 8-11s: The harvesters rise through the atmosphere and jump to light speed — streaks of amber light departing in every direction. To the next field. The next planet. The next harvest. Earth was just one crop in an infinite rotation. The sky clears. The sun shines on a grey world. Empty. 11-15s: SMASH CUT TO BLACK. Title fades in — golden text that slowly desaturates to grey: HARVEST Followed by: "WE WERE ALWAYS THE CROP." The golden text finishes draining to grey. Black.
Seedance 2.0A female astronaut in a white EVA suit sprints across the outer ring of a damaged orbital station above Earth. The station slowly rotates while massive solar panels break apart and drift into space. At the 2-second mark she jumps from the rotating ring toward a drifting cargo module. Camera floats beside her as Earth spins in the background. She grabs a handle, swings through the airlock hatch, and seals the door just as debris slams into the station behind her. Orbital debris field, zero-gravity leap, rotating space station exterior run, cinematic space lighting, 4K.
Seedance 2.0setting: location: "Ancient 'World Martial Arts Tournament' arena [@ Image 2]" details: "Clear stone platform textures, intricate Chinese guardian beast carvings, detailed ancient architecture" audio_style: "Shaw Brothers classic kung fu cinema soundtrack" action_sequence: participants: "[@ Image 1] vs [@ Image 3], both unarmed/bare-handed" choreography: opening: "[@ Image 1] moves like lightning with sharp energy-infused strikes; [@ Image 3] parries using fluid Tai Chi grandmaster techniques to neutralize the onslaught." climax: "[@ Image 1] lunges for a tail-whip ambush; [@ Image 3] counters with a powerful qi-palmed strike. [@ Image 1] dodges with ghost-like agility." finisher: "[@ Image 1] fires a Kamehameha at the chest; [@ Image 3] tanks the hit with a qi-shield and counters with a full-force palm strike, knocking [@ Image 1] off the ring." cinematography: camera: "360-degree orbital wrap-around shots, capturing every martial arts exchange" lighting: "Dynamic lighting shifts synced with combat intensity to create a tense atmosphere" visual_style: "Cinematic photorealism, 8K resolution, film-like texture" technical_quality: standard: "Low AI signature, no excessive skin smoothing, natural fluid motion" negative_constraints: "No deformed limbs, no extra/missing fingers, no clipping, no blurring, no low resolution, no cluttered backgrounds, no color banding"
Kling 3.0A futuristic time traveler stepping out of a swirling temporal portal into a blended scene: half cyberpunk future city, half prehistoric dinosaur-filled jungle. Energy cracks and distortion effects around the portal. Shocked expression on the traveler's face. Dynamic composition with dramatic split lighting — neon blue on one side, golden sunlight on the other, cinematic sci-fi concept, hyper-realistic.
Kling 3.0No subtitles. No captions. No music. SHOT — Fixed wide-angle shot capturing the full scene. Starts tightly focused on a single, glowing roasted coffee bean resting on a smooth surface in an empty dark space. Includes subtle slow zoom-ins and zoom-outs emphasizing the bean’s glowing texture and its transformative sequence. SUBJECT — A single luminous roasted coffee bean with rich dark brown, polished texture and a gentle soft glow. It smoothly rotates on its axis while sequentially morphing fluidly into iconic Starbucks signature drinks in this order: a small espresso shot with dark crema, a caramel macchiato featuring creamy caramel swirls on top, a vibrant green matcha latte topped with delicate foam, a bright pink iced drink with visible condensation droplets, and finally an icy frappuccino crowned with fluffy whipped cream. SCENE — Begins in an empty, dark ambient void. As the bean transforms, the environment magically builds upward and around it into a sleek, contemporary Starbucks-style cafe setting. Polished natural wood tables and softly cushioned chairs materialize gracefully. Ambient lighting transitions from intimate amber spotlights on the bean to bright, natural white, evenly distributed cafe lighting evocative of welcoming daytime. The evolving space suggests a warm, cozy, inviting mid-day atmosphere. VISUAL DETAILS — Starbucks branding is implied subtly through refined color cues and gentle reflections, avoiding any direct logos or text on screen. Drink colors are vibrantly true to signature beverages. Textures are photorealistic: the bean’s delicate glossy sheen, smooth liquid surfaces, creamy swirls, frothy foam, condensation beads, and icy particle details on the frappuccino. Liquid transformations unfold with believable physics exhibiting magical fluidity. ACTION AND CAMERA MOTION — The coffee bean rotates slowly on its axis at the center of frame. During rotation, it morphs sequentially into each Starbucks drink with smooth fluidity. Concurrently, cafe furniture and lighting fixtures rise up and elegantly unfold around the bean in exact synchrony with each drink’s appearance. Subtle, tight zoom-ins on each drink highlight its distinct textures and colors. The sequence culminates with a slow zoom-out revealing the complete, pristine Starbucks cafe interior with the final colorful drink prominently centered. CINEMATOGRAPHY — Initial warm spotlight focuses on the coffee bean, shifting gradually to soft, bright, and naturalistic cafe lighting that bathes the entire scene evenly. Color palette blends warm browns, creamy whites, fresh pastel pinks, vivid matcha greens, and natural wood tones for a vibrant, magical, and inviting visual tone. AUDIO — No voice or language. No dialogue. Primary soundscape includes gentle ambient cafe sounds: faint brewing coffee, soft clinking of cups, combined with gentle swooshing magical sounds accompanying the fluid transformations. Ambient background captures warm murmurs and soft indoor echoes, creating a cozy audio environment. No music. STYLE — Cinematic, photorealistic 4K visual style with high detail texturing and subtle magical effects enhancing the transformations. Vibrant and magical atmosphere without any on-screen text, captions, or overlays.